Costume designer Trisha Biggar incorporated Chinese, Korean, and Mongolian influences into the designs for Natalie Portman’s character, and the fashion world paid attention Yves Saint Laurent featured an Amidala-inspired makeup campaign around the time of The Phantom Menace’s release, and Vogue ran a “ Star Wars Couture” feature in April 1999, highlighting Queen Amidala’s gorgeous costumes. But it wasn’t just Princess Leia serving as inspiration McQueen’s collection seemed to somehow predict Queen Amidala’s style in Star Wars: The Phantom Menace, which would open two years later. In 1997, Alexander McQueen debuted his “Eclect Dissect” show, featuring elaborate headdresses and geometric hairstyles that couldn’t help but evoke a certain princess in a galaxy far, far away. Other designers paid attention too, from a 1998 DKNY campaign to Alexander McQueen’s 1998 spring ready-to-wear line, which featured strapless, cropped, and sheer shirts for men, as well as strappy bandage dresses and one pieces reminiscent of Leeloo’s white dress. Crop tops, already popular in streetwear, evolved in Gaultier’s hands to become more utilitarian punk, and bright oranges and reds remained popular for years after even Leeloo’s flaming orange hair inspired the heroines of Run Lola Run and Alias. Luc Besson’s breakthrough sci-fi adventure overlapped with fashion from the start, with model Milla Jovovich starring as heroine Leeloo and designer Jean Paul Gaultier making costumes based on his existing designs, including bandage dresses and backless shirts for men. By Victor Virgile/Gamma-Rapho/Getty Images, from Entertainment Pictures/Alamy Stock Photo, by Giannoni Giovanni/Penske Media/REX/Shutterstock. Designer Malgorzata Dudek featured a Giger-inspired collection in 2012, while designer Georgia Hardinge produced a Giger-inspired collection in 2013.įrom left, McQueen’s Spring/Summer 1998 collection A young Milla Jovovich stars in 1997’s “Fifth Element” A model walks the runway wearing Givenchy’s 1999 collection. From Thierry Mugler’s 1990 Giger jacket, featured prominently in an Elle magazine spread, to Alexander McQueen’s Alien shoe in 2010 (which some models claimed they were afraid to walk in), Giger’s influence has rippled through the fashion world for decades. Giger had a long career as an artist before Ridley Scott came knocking, but his biomechanical designs for Alien and the subsequent sequels made his work part of sci-fi canon, and have inspired some of fashion’s most ambitious designs. From left, by Victor Virgile/Gamma-Rapho/Getty Images, from 20th Century Fox Film Corp./Everett Collection, by Antonio de Moraes Barros Filho/Getty Images, from 20th Century Fox Film Corp./Everett Collection. From left, Theirry Mugler’s Fall/Winter Ready to Wear 1990-91 collection A still from 1979’s “Alien” A model walks down Alexander McQueen’s Spring/Summer 2010 collection during Paris Fashion Week A still from 1979’s “Alien”.
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